Director – Marcia Kash

As a director over the past thirty years Marcia’s credits number over 150 productions. From musicals to dramas to new works, Ms. Kash has enjoyed a full and varied career. Favourites include:

Les Miserables (Rainbow Stage)
The US/Canadian Tour of Saturday Night Fever
Annie, White Christmas (Neptune)
See How They Run Blackbird, Doubt (Theatre Aquarius)
The Diary of Anne Frank, The Syringa Tree, The Price, Humble Boy (RMTC)
Too Many Cooks, Run For Your Wife, The Ladies Foursome (Drayton Entertainment)

Marcia was chosen to direct the “reimagined” Anne of Green Gables at the Charlottetown Festival in 2011 and was the original director/dramaturg for the premiere production of the new Canadian musical Prom Queen (now entitled The Louder We Get) at The Segal Centre, Montreal.

She directed the world premiere of A Belly Full at The Mill at Sonning (UK) as well as its Canadian premiere at Theatre Aquarius. Recently she directed the premiere of Danny and Delilah for the Foster Festival, the Canadian premiere of Gloria: A Life at HGJT in Toronto, and served as director/ dramaturg for I Am Enough – a cabaret about one woman’s struggle with mental health.

For complete resume, please contact Rachael Dean at The Talent House.

Les Misérables

Too Many Cooks

The Diary of Anne Frank

Humble Boy

The Price

Too Many Cooks - Veronica Snook et Al

Rainbow Stage production of Les Miserables.

The Sound of Music

A Belly Full

Syringa Tree

Prom Queen (Promo poster)

Gloria: A Life

“Director Marcia Kash negotiates the diverse elements of the musical — the intricately staged business attending Master of the House or the deathly still solo I Dreamed a Dream — with an overriding sense of elegance.”

“As the audience left there was no doubt 'Too Many Cooks' is a HUGE success”

"Director Marcia Kash has marshalled her forces well. She's given this compelling play wonderful human context. She permits the broiling tensions of life in a secret annex in an Amsterdam office building to flash fire. She allows claustrophobic relationships of these imperfect people to race toward hysteria. Most important, she allows us to see Anne Frank, warts and all."